1938 Woodstock 5 #8-12-512178E

Status: My Collection
Hunter: Chris Aldrich (chrisaldrich)
Created: 05-09-2026 at 10:29PM
Last Edit: 05-09-2026 at 10:49PM

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Description:

My first ever Woodstock. Acquired via thrift for $50 on 2026-05-08. Possibly a bit more expensive than it might have otherwise been, but the key rings are in stunning shape, and the work to polish them is easily worth several hundred in labor! The decals are also in exceptional condition. Aside from some cosmetic damage to the typebar hood, this machine is in exceptionally great cosmetic condition and will be even more so following a full polish of the body and the brights.

Quick initial work
Naturally it needs a new ribbon, but it's got enough ink left for a quick typesample.
A fast dusting and a preliminary scrub of the carriage rails and a few other parts with isopropyl alcohol and it's ready for some basic work. Primarily the return lever and the margin sets were very gummy, while the keylevers had some pretty good action without any attention. (Someone really loved this machine.)
The carriage return lever needed some forming so that it no longer scrapes on the typebar hood.
A quick cleaning of the slugs which were in reasonable shape.

List of work to be done:
The tabulator needs some adjustment to work properly as the tab mechanism is sitting a bit high and causes the carriage to scrape.
It's going to need a ring and cylinder adjustment so that it's not damaging the platen anymore, though the platen is so hard that it needs replacement anyway.
The rubber feet are usable, but need replacement.
The space key also may need some timing attention, but perhaps the slow symptoms will disappear with a full cleaning?
The rulers (5!) are slightly out of adjustment.
Full clean, oil, and adjust A day's worth of cleaning and some modest adjustments and this should be a fantastic little machine.

Interesting features
I love the fact that this has some interesting paper fingers. They don't seem to be well-suited to index card work however.
The unique ribbon reverse mechanism (a small metal button) is adjustable on either side.
It doesn't have an individual tab clear button, but, in lieu, has a clear all tabs lever.
I love the design of the ribbon color selector which requires pulling a spring-loaded button out to switch colors---no accidental color changes here.
Rather than a traditional "margin release" button it has a "line lock release", but like the Olympia SG series, it only locks when typing characters, but will blow past the margins if using the spacebar.
Rather than a more common line space selector, this has a knurled knob that needs to be pulled out and set with a pin-type mechanism. This also means that the selector can't accidentally change its setting for any reason.
The Woodstock No. 5 is an early carriage shift standard
The typebar hood is made of some sort of early plastic and slides onto the top of the machine. While it's borne the brunt of most of the machine's cosmetic damage, it is easy to remove for typing "naked". It goes on quickly to help protect the internals from ambient dust.

According to the TWdB page for the Woodstock, the 8-12 prefix on the serial number indicates a 12" carriage (the width of the rubber portion of the platen). There isn't any extant detail to indicate what the suffix "E" in the serial number means, though one might presume the elite or 12 pitch typeface?

Historic Users of the Woodstock
Users of Woodstock typewriters included:
- Robert Bloch
- Howard Fast
- Alger Hiss (1929 standard #230099)
- Sir Patrick Moore
- J.C. Oldfield (editor of the Associated Press's London bureau, 1930s)
- Gordon Parks ("Can you dig it?")

Typeface Specimen:

Links:

• Acquisition: 1938 Woodstock No. 5 Standard typewriter

Photos:

Hunter: Chris Aldrich (chrisaldrich)

Chris Aldrich's Typewriter Galleries [ My Collection ] [ My Sightings ]

Status: Typewriter Hunter
Points: 1375

Hello! I’m a Johns Hopkins trained biomedical and electrical engineer with a variety of interests in the entertainment industry, information theory, evolution, big history, genetics, signal processing, transgenetics, translational medicine, and theoretical mathematics. I’m a strong advocate of the IndieWeb movement.

I have a love for analog office equipment including library card catalogs and typewriters. As of March 2025, I've got a segment of 45 typewriters, mostly portable and manual models along with several Royal standards, a Remington Standard, and one SMC typebar electric. I have been learning how to completely overhaul all of the machines in my collection, all of which work well aside from one or two machines which need some parts. I have a burgeoning collection of typewriter tools for continually repairing, maintaining, and upgrading my machines.

2024 was broadly a year of collecting portables and 2025 seems to be shaping up to be the year of the standards. I'm slowly morphing my TWdB collection photos so that the "hero" photos of the machine facing to the right (with the left side of the typewriter facing front generally with the carriage return in the front) are those that have been generally cleaned /restored while those facing to the left (with the right side of the typewriter facing front with carriage return in the rear) are those that still need cleaning, oiling, adjustment or a major repair. Those facing forward generally need work as well. Certainly some don't fit this pattern, but I hope to fix them all shortly as I get the requisite photos.

I've got more than half a dozen card catalogs including a Gaylord Bros. and a Steelcase along with several Remington Rand and some Shaw-Walkers. I've lost count of my index card collection once I passed 10,000.